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Dance Star Matthew Ball on Grueling Parts and Social Media Scrutiny: 'I'm Not Protective About My Body'

Within the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is effortlessly straight-backed, his arms defined beneath a simple tee. During performances, ballet dancers can seem like mighty deities, yet frequently offstage they are small. Not so Ball, whose tall stature is part of his popularity for heroic roles and pas de deux work. With fine traits and intense eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is enjoying the peak of a career that has progressed smoothly. Raised in Liverpool, he encountered minimal teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated directly into the company and was promoted each year, attaining the highest position of lead dancer in 2018. He has relished taking on substantial characters, especially the psychological angst found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His next starring appearance is as himself, in an "Evening With" event aiming to offer intimate perspectives into a dancer's art. He will walk the crowd through a role, showing his mental process during performance. Yet in more comedic works, the test is profound. "Don Quixote is one of the toughest from a skill perspective," he states.

The Mental Game and Post-Performance Emotions

What about after a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get immersed in the role, frequently I do feel self-conscious afterwards. Following Mayerling I'm always thinking: God, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Is there? "I am very active usually, but I do have a dark side," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Motivations and Artistic Inspirations

Ball's tenacity stemmed from early experiences. Not excelling in contests at school made him "driven!" This became fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he remembers.

The next challenge is creating his own choreography. For Ball, "organic movement has value." "Challenging the conventions is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from books, compositions, and art.

Intimate Performance and Personal Dynamic

He also favors presenting dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow principal Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t usually matched on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Image

On social media, fans can see clips from his dance films and photos that showcase a athletic form. Does he mind that the response can be somewhat objectifying? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—something that can be interpreted on various ways.

Ball characterizes his younger self as "desperate for success." Did it lived up to his hopes? "I am conscious of how reality is a separate reality to the aspirations you had as a young person," he reflects. He probably has about decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

About the author

Erin Raymond

Liam Voss is a seasoned gaming journalist and avid player with over a decade of experience in the industry.

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